Map of Meaning and All Its Plurality

Map of Meaning and All Its Plurality

Meaning Multiple Maps? A planksip Perspective and Möbius on Terra Firma

Meaning Multiple Maps?

In the quaint village of Willow Creek, nestled between the vibrant green hills and whispering forests, there lived an eccentric artist known as Sophia. She was a woman of peculiar habits, revered by the villagers not just for her artistic prowess but for the unique way she perceived the world. To Sophia, every canvas was a window into a realm where the mundane transformed into the magical, where colors sang and shapes danced in harmony. It was on a particularly radiant morning that Sophia began her most ambitious piece yet. The villagers gathered around, curious to witness the creation of what was rumored to be a living masterpiece.

It's not what you look at that matters, it's what you see.
— Henry David Thoreau (1817-1862)

With a gentle stroke of her brush, Sophia started on the canvas, her eyes glinting with a secret knowledge. To the onlookers, it was merely a smudge of blue, a streak of green, a dash of sunset gold. But to Sophia, it was the whisper of the wind, the heartbeat of the earth, the warm embrace of the dying sun. Each brushstroke was a conversation, a laugh shared with the universe.

The villagers chuckled among themselves, each passing remark a testament to the mystery of Sophia's vision. "She paints with her soul," they would say, and Sophia would smile, her focus unbroken. Days turned into weeks, and the canvas began to pulsate with a life of its own. The colors wove into tales, tales that only Sophia could read, but that laughter and joy emanated from, enchanting all who watched.

As the painting neared completion, the village was abuzz with anticipation. Sophia unveiled her work, and there was a collective gasp. What appeared before them was not just a painting but a tapestry of life, a mirror reflecting the essence of all who looked upon it. Children saw playmates dancing in the meadows, the elderly saw memories of youth, and lovers saw the promise of forever. Each found humor in their reflections, a playful nudge from Sophia's creative spirit. She had not just painted a scene; she had painted their very souls.

Through her work, Sophia taught the villagers that to live was to see the beauty in the everyday, the extraordinary in the ordinary. It was a lesson that brought laughter to lips and lightness to hearts, a testament to the joy of true vision.

The seasons changed, and the village grew, but the legend of Sophia's painting remained, a monument to the power of perception, a reminder to all:

It's not what you look at that matters, it's what you see.
— Henry David Thoreau (1817-1862)

The artwork lived on, a testament to the joy found in the layers of life, seen not through the eyes but through the soul, a soul that finds laughter in the leaves and stories in the stars. And Sophia, with a twinkle in her eye, continued to paint, continued to see, and most importantly, continued to make the world around her a little more joyful with every stroke of her brush.


Map of Meaning versus Maps of Meanings. The added plurality of interpretation is less dogmatic but terribly inefficient when we limit our sights on what matters versus matter itself. Priorities people, priorities!

Meaning Multiple Maps? A planksip Perspective and Möbius on Terra Firma.

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“I see!” said Homer
A deluded entry into Homer starkly contrasts the battles and hero-worship that united our Western sensibilities and the only psychology that we no? Negation is what I often refer to as differentiation within and through the individual’s drive to individuate.

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